HOUSE Warming

I just started a writing class, learning the finer points of screenwriting as it applies to TV--the smaller screen. As our first assignment, the teacher has asked us to pick a show we want to write a 'spec' for. A spec is a script you write on speculation that someone will want.

In film, a spec script can be sold and made into a movie. In TV, however, a spec script will NEVER be made into a show; instead it's used as a sample to show you know how to tell a story for the medium. Rule of thumb, I'm told is to have 3 specs for shows currently in production, in the genre you want to write for: sitcoms, dramas, police procedurals, etc.

I'd originally decided to write a CURB YOUR ENTHUSIASM spec, since I love the show and have an idea that would make a great episode. However, the show is notorious for being improvised, so doesn't actually use a script (ding 1 pt). Additionally, it's considered less formulaic and, while funny, more shows follow formula like a TWO AND A HALF MEN (meh) or GEORGE LOPEZ (double meh).

That's led me to consider writing a HOUSE script. Strong characters to work with, good challenging ethical dilemmas/questions raised each week, suspense and a good dose of humor. I'm all excited at the thought until I woke up this morning and realized: I know nothing about medicine. OK, I know not to mix percocet and Jack Daniels, but otherwise...

I'm going to have to learn me some doctoring stuff.